Waltz with Bashir
Mar 04, 2009 | Written in: Notes | Leave a CommentA couple months ago, I was able to catch a showing of Waltz with Bashir at this little theater in Santa Monica. It was amazing. If you’re into drawing, this is no small feat. This isn’t your average poster edge filter in Photoshop either.
At first I was a tad skeptical about how a documentary film would benefit from having an animation style. Remembering movies like A Scanner Darkly and Waking Life where animation wasn’t much of a stretch for their kinds of storylines, I wondered if director, Ari Folman, was only interested in straying away from documentary filmmaking as it’s been known for the sake of saying he created his film differently? Was he utilizing the animation style simply because it is becoming more accessible and popular? Five minutes into the movie, I forgot that I was even watching an animated film.
Folman was asked about why he chose to have his film be animated. The simple explanation… animation has no boundaries – it allows images and situations to come to life on screen that a camera cannot just simply capture. There’s no more elaborate reason. With that in mind, I watched the movie and took in the messages which hit me just as much or even more than any actor could portray.

If you haven’t gotten the chance to see Waltz with Bashir, go. The story is amazing and the visuals tell it in a newly interesting way. I would have never been able to match the two just by looking, but throughout the movie, I realized just why it all worked.






